The background on that is that the people who go to Heaven all have to go by plane. I think you can see this by looking at the world map in this book, but there’s a thing called the airport to Heaven. So Enma- daiō and the oni all wore suits like salary-men. What kind of style did you think up the afterlife?įor God’s temple, I gave it a comparatively mysterious feeling, but on the other hand I thought it’d be good to have the afterlife be realistic. The afterlife was another place besides Earth that became the setting of the story, after Planet Namek. Many of its locations are also directly shown in the 90s anime, video games, and multiple designs from atwork over the yearsĪkira also created the microcosm idea himself, and has repeatedly referred to it over the yearsĪkira mentions he drew the afterlife map as a reference to the animation studio. Then cross reference that with the volume of everything else. In order to find the volumes and lengths for everything else we turn the volume of the mortal universe into a number of px3, then say that’s equal to the 4e80 of our universe. We normally assume the mortal universe is the volume of our observable universe and that’s it. Whenever a character threatens to destroy universe 7, they have to go to each of these places. The universe also extends outside this bubble, with the “land of the kais” which the supreme kai planet floats around in.
Essentially the whole thing is in a sphere, with “heaven” taking up part of that sphere outside what we would consider the mortal universe. Ok so one of the big things with the size of the Dragon ball universe is that it’s technically larger than a normal universe. It is not officially endorsed by Rooster Teeth Productions or necessarily representative of the views of the Death Battle staff at large."Ĭan you explain Dragon ball Microcosm scaling "The following is the opinion of only those involved in its writing.